Exhibition layout of Magdalene Odundo Exhibition designed by SOCA. Photography credits to Jack McCombe

View of exhibition layout

Magdalene OdunDo Exhibition

Circular plinth as part of Magdalene Odundo Exhibition designed by SOCA. Photography credits to Toni Hakenscheid

Dark plaster plinths complement Odundo’s carbonized pieces

SOCA has designed the Gardiner Musuem’s new exhibition Magdalene Odundo: A Dialogue with Objects which runs October 19, 2023 – April 21, 2024.

This is the largest exhibition of the celebrated Kenyan-British ceramicist in North America. The installation features more than 20 works spanning Dame Magdalene Odundo’s career, displayed alongside objects selected by the artist from the Gardiner Museum’s permanent collection, and works on loan from major Toronto museums and private collections. These objects span geographies, time periods, and media, bringing her work into conversation with objects as diverse as an ancient Cycladic marble figurine, a Ndebele apron from South Africa, and a painting by the late Trinidadian-Canadian artist Denyse Thomasos.

 

Gardiner Museum Chief Curator and Deputy Director, Dr. Sequoia Miller requested an atmosphere that would dramatically showcase Odundo’s work but not upstage it. SOCA principal Tura Cousins Wilson says, “As a British and Kenyan woman, Odundo has deep roots in both modern and traditional, and European and African ceramic practices. We took her ambiguities as a starting point, transforming the Gardiner’s ‘white cube’ into a ‘clay cube’.

Treating the walls with a textured limewash paint, and creating broken circular plinths from dark plaster, SOCA picked up on the forms, textures, warmth and even the metallic quality of Odundo’s carbonized vessels to establish a rich ambiance. The plinths obscure a chronological trajectory through the space, and the low lighting encourages each visitor to pursue their own quiet journey of close examination and contemplation.

Circular plinth as part of Magdalene Odundo Exhibition designed by SOCA

Circular plinths obscure a chronological trajectory through the space

 
Plan view of Magdalene Odundo Exhibition designed by SOCA

Render view of exhibition layout

 
 
 
Exhibition layout for Magdalene Odundo Exhibition designed by SOCA. Photography credits to Jack McCombe

Two circular plinths guide circulation through the exhibition

Circular plinth as part of Magdalene Odundo Exhibition designed by SOCA. Photography credits to Jack McCombe

Dame Magdalene Odundo’s works displayed alongside pieces from the Gardiner’s permanent collection

 
Plan sketch for Magdalene Odundo's Exhibition designed by SOCA

Diagram of circular plinths forming exhibition layout

Axonometric sketch for Magdalene Odundo Exhibition designed by SOCA

Axonometric drawing of circular plinths

 
Standing plinths as part of Magdalene Odundo Exhibition designed by SOCA. Photography credits to Toni Hakenscheid

An arrangement of standing plinths put Odundo’s pieces in conversation

 
Hanging artworks as part of Magdalene Odundo Exhibition designed by SOCA. Photography credits to Toni Hakenscheid

Odundo’s works presented alongside objects from the Gardiner Museum’s permanent collection and other museum and private collections

 
Standing plinths as part of Magdalene Odundo Exhibition designed by SOCA. Photography credits to Toni Hakenscheid

Standing plinths line the edges of the exhibition space

 
 
Curved plinths and seating as part of Magdalene Odundo Exhibition designed by SOCA. Photography credits to Toni Hakenscheid

Standing plinths are distributed around the curved platforms

 
 
Circular plinths and seating as part of Magdalene Odundo Exhibition designed by SOCA. Photography credits to Toni Hakenscheid

Extended curved seating provides space for contemplation

Circular plinths as part of Magdalene Odundo Exhibition designed by SOCA. Photography credits to Toni Hakenscheid

A textured limewash paint creates an ambiance of warmth and contemplation

 
 
Circular plinths as part of Magdalene Odundo Exhibition designed by SOCA. Photography credits to Toni Hakenscheid

View of exhibition featuring more than 20 works from Dame Magdalene Odundo’s career

 
 
Circular and standing plinths as part of Magdalene Odundo Exhibition designed by SOCA. Photography credits to Toni Hakenscheid

Dimmed overhead lighting creates a mood of reflection in the space